Hildamaría Enríquez’s creations tend to open a space between whose margins violence, delicacy, lucid contemplation, eroticism, life and death drive coexist.
“Over the shoulder” is a photographic series that addresses two lines of work; the theme of the portrait and my interest in objects as a deposit of meaning.
“My work is the symbolic translation of my critical thinking,” says Julio Lorente just as 60 years of the revolutionary triumph of 1959 are being completed.
Ernesto Gutiérrez Moya, in his uniqueness, elaborates the fictional content of his visions, above any tyranny of subjection to the reality of contexts.
The pictorial work of Juan José Blanco Lozano is the spokesman of a social anguish determined by his existentialist characters and his insular circumstance.